Sonata for Flute, Viola, and Harp (1915) Claude Debussy’s Sonata for Flute, Viola, and Harp dates from the last years of Debussy’s life. In particular, the intermovemental motives, both harmonic and melodic, and the manipulation and development of the phrases are closely examined. Its ambiguity of harmony and form, fragmented, halting phrases, and almost pointillistic use of color bear striking resemblance to earlier orchestral works such as La mer and Prélude à l'après-midi d'un faune. Degree Name DMA. Physical Address: 6100 Main Street, Houston, Texas 77005, Mailing Address: MS-44, P.O.BOX 1892, Houston, Texas 77251-1892, Rice University Graduate Electronic Theses and Dissertations, Rice University Electronic Theses and Dissertations. Work Title Sonata for Flute, Viola & Harp Alt ernative. Particular focus will be put on Takemitsu's philosophical aesthetics, especially in his later years, and a comparative analysis between the two composers' trios, which include the harp. The amount of items that can be exported at once is similarly restricted as the full export. This study serves as a comparison between the two works for flute, viola, and harp by Toru Takemitsu and Claude Debussy; influences of Debussy on Takemitsu and similarities between the two composers. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. The purpose of this thesis is to discuss the elements of … After making a selection, click one of the export format buttons. | Tucson, AZ 85721-0055. Sonata for Flute, Viola, and Harp. War threatened Paris, his marriage was unhappy, and pain from cancer hobbled him. Recorded live in the Daniel and Joanna S. Rose Studio on March 8, 2012. Find many great new & used options and get the best deals for King Record Debussy Flute Sonata No. In this thesis, I analyze Sonata for Flute, Viola, and Harp by Claude Debussy (1862-1918) and contextualize the role of the flute in chamber music from the eighteenth to the twentieth centuries in order to better understand how my instrument has functioned in chamber music for the past three centuries. formats are available for download. He called his work desk “a factory of nothingness.” Then, respite. Of the three late sonatas, the first, for flute, viola, and harp, stands out as the most Debussian. Different Also discussed is the impact of the interaction, and orchestration, and equal use of the three instruments on the effectiveness of the piece. The instrumental combination mentioned in the letter, with the oboe as the third instrument of the trio instead of viola, was something that Debussy apparently considered only in passing. Some features of this site may not work without it. 2 For Viola And Harp Slc 2347 LP Record at the best online prices at … The University of Arizona Libraries | 1510 E. University Blvd. The export option will allow you to export the current search results of the entered query to a file. Debussy was offered a seaside villa for the summer, and he came back to life. Type text Electronic Dissertation. Of the three late sonatas, the first, for flute, viola, and harp, stands out as the most Debussian. The sonata for cello and piano, L. 135, was written in 1915, and is notable for its brevity, most performances not exceeding 11 minutes. Title [Deuxième] Sonate en trio Name Translations Sonate voor fluit, altviool en harp; Sonata for flute, viola and harp; Sonate pour flûte, alto et harpe; フルート、ヴィオラとハープのためのソナタ; Sonata per flauto, viola e arpa; Соната за флейта, виола и арфа; Sonate für Flöte, Viola und Harfe The Sonata for flute, viola, and harp (French: Sonate pour flûte, alto, et harpe), L. 137, was written by the French composer Achille-Claude Debussy (22 August 1862 – 25 March 1918) in 1915. The analysis of this sonata identifies how This study will present a comparative analysis of Takemitsu's trio, And then I knew 'twas Wind for Flute, Viola, and Harp, and Debussy's Sonata for Flute, Viola, and Harp, pointing out similarities and possible influences upon the composers, focusing on elements indicated in the score and writings by and about the composers. Here it is played by the “Formosa Trio”, Pei-San Chiu (flute), Tze-Ying Wu (viola) and Joy Yeh (harp). It is a staple of the modern cello repertoire and is commonly regarded as one of the finest masterpieces written for the instrument. It was written in 1915 as part of a planned set of six sonatas for various instrumental combinations; Debussy’s final illness and death in … Upon study of the analysis and the accompanying discussion, one will have a greater understanding of the individual parts which together make up a unique and fascinating whole; one of Debussy's finest compositions. The purpose of this thesis is to discuss the elements of this later style and represent them graphically. To export the items, click on the button corresponding with the preferred download format. It was written in 1915 as part of a planned set of six sonatas for various instrumental combinations; Debussy’s final illness and death in … This study will present a comparative analysis of Takemitsu's trio, And then I knew 'twas Wind for Flute, Viola, and Harp, and Debussy's Sonata for Flute, Viola, and Harp, pointing out similarities and possible influences upon the composers, focusing on elements indicated in the score and writings by and about the composers. A later entry in his diary read "The second [sonata] for flute, viola and harp. Copyright © is held by the author. Claude Debussy: Sonata for Flute, Viola, and Harp, (1915), I. Pastorale. Sonata for Flute, Viola, and Harp (1915) Claude Debussy’s Sonata for Flute, Viola, and Harp dates from the last years of Debussy’s life. Digital access to this material is made possible by the University Libraries, University of Arizona. End". Work Title Sonata for Flute, Viola & Harp Alt ernative. JavaScript is disabled for your browser. To select a subset of the search results, click "Selective Export" button and make a selection of the items you want to export. Only three works were completed - the Sonata for Cello and Piano, the present sonata, and Debussy’s last composition, the Sonata for Violin and Piano. Flute, viola and harp are the instruments of a chamber music grouping that have become common through the establishment of ensembles that feature this set of instruments and have enjoyed new compositions written for the set. Some features of this site may not work without it. Debussy’s Sonata for Flute, Viola, and Harp, thus, was quite determinedly written in the style of the French Baroque with the intention to realign twentieth century French music with the musical aesthetics of the 1600s. By default, clicking on the export buttons will result in a download of the allowed maximum amount of items. It examines how cultural influences from both Japan and France affected each composer, and explores how other artists and composers impacted their writing. The Sonata for Flute, Viola, and Harp, written in 1915, is an excellent example of Claude Debussy's later style. Claude Debussy's Sonata for flute, viola, and harp (1915) is the second entry in a projected series of six chamber sonatas (of which the composer completed three).The sonata is at once evocative and emotionally ambiguous, though a great deal less harmonically adventuresome than its two companions; Debussy once remarked that he didn't know whether it "should move us to laughter or to tears. In 1915, Debussy thought he was finished. The Sonata for Flute, Viola and Harp was part of a projected cycle of six sonatas planned at the end of Debussy’s life. The amount of items that will be exported is indicated in the bubble next to export format. JavaScript is disabled for your browser. The Sonata for Flute, Viola, and Harp, written in 1915, is an excellent example of Claude Debussy's later style. Title [Deuxième] Sonate en trio Name Translations Sonate voor fluit, altviool en harp; Sonata for flute, viola and harp; Sonate pour flûte, alto et harpe; フルート、ヴィオラとハープのためのソナタ; Sonata per flauto, viola e arpa; Соната за флейта, виола и арфа; Sonate für Flöte, Viola und Harfe