Have always felt something else worked better.... e.g. my sound guy has been using it on my amp for a while now, and it sounds so good. The Shure X2U XLR to USB adapter works well, and provides a a mic control and headphone jack. Use the low frequency gain knob and the HF knob as well. Really? This ensures that you get that extra 25dB of gain (provided by the lifter) in order to effectively and properly amplify the mic. Micro dynamic trsrput taken for guitar and vocals. Your email address will not be published. Messages 2,616. I tried both the PR40 and PR30 for use on my podcast. I’ve had a lot of experience with XLR mics and USB mics by the way. Heil PR30/35 vs. SM-7b Anyone use/used them both? It’s heavy, with everything being metal. Your email address will not be published. This makes it great for less than perfect recording environments. NO GAIN CONTROL…so you think that is a problem, no gain control ON THE MIC? Heil PR30/35 vs. SM-7b Anyone use/used them both? Lewitt is an Austrian company made in Chins. A solidly built microphone that is perfect for voice-over applications, with a broadcast ready tone. I can only think of one. The sweet-spot here is around 2-4 inches. Good compression (either a hardware compressor or a software plugin). In his spare time, he likes to fish, paint, play guitar, pray, rap, make beats, take photos, record videos, graphic design, and more. Are these mics supposedly good for hiphop vocals? Before we dive right into the Heil PR40 vs. PR30, grab a snack, sit back and relax because.. a different place i play at i had to use an sm57, the 421 is much warmer, beefier. Just something to consider if you’re a female. 3 product ratings - Heil Sound PRSM Champagne Shockmount for Heil PR30 and PR40 Mics. The PR40 in particular has been touted as an EV RE20–killer, and I can see why. The Heil PR40 is a dynamic broadcast pro that excels primarily in voice-over applications. Broadcast ready sound, with an extended low frequency response. FS: Mint condition studio equipment!! After a one month trial on both, I decided I preferred the PR30. I really appreciate you stopping by. Hello, Stu! The main draw of this microphone is that it is designed to record only the sound that its closest to it, while rejecting everything else. It should be noted that the RE20 has changed over the years. What would you guys suggest my next buy is? The PR30 and PR40 are both well-known in the broadcast market for radio and voiceover work, but they would also find a happy home in any rocker’s mic closet. Condenser mic vs. The mic may become a tad bright but both of these methods should do the trick in taming it down. Note: In my Shure SM7B review, I also recommend the Cloudlifter. Bright and rich like a condenser, but controlled and soft like a dynamic. No headphone jack for monitoring. p.s. Furthermore, the gain controls are on your mixer or live wire. Even Elvis Duran on Z100 uses that mic….does he have wooden ears? End fire pattern rejects side and rear noise. dynamic mic (like all pickups HEIL) has large diaphragm, I served as a guitar mic and head over to the battery. Similarities & Differences 1… These dynamics are the best all around dynamic mics available, especially for human voice. Read more about the Heil Sound PR-30 dynamic microphone. dynamic mic (like all pickups HEIL) has large diaphragm, I served as a guitar mic and head over to the battery. There were some reviews that mentioned it’s effectiveness with instruments; namely Bass, Didgeridoo, and Kick Drums. What are you smoking dude? Hey there! Questions? The Electrovoice 309a Shockmount & OC White desk-mounted boom are also solid, and should be considered. The Heil PR30 and PR40 are outstanding mics for broadcast, podcast and studio. Thanks, the pr30 is supposedly made for electric guitar and toms and the pr40 is made more for kick. Alesis Mictube solo with 65dB of gain & +5dB drive with XLR to XLR. Just adding my thoughts. Specifications 2. Are the Heil folks trying to tell you to ditch your RE20? Wow thanks for that insight Jen! The Heil Sound PR30 is a uniquely designed dynamic microphone, in what looks like the casing of a condenser microphone. I’m not 100% sure exactly what the technology is inside of the mic, but it is some sort of a modified version of a dynamic mic as far as I know. The mic does have a standard cardioid pick up pattern, but doesn’t have any features in terms of a pad or a high pass filter or anything like that. I’ve only got experience with the PR30 in the recording studio, but the microphone is designed for both use in the studio as well as for broadcast and voice over applications. I enjoy experimenting in recording as well. He looks strong and endure low rev high sound pressures. I did back off the input gain (5 or 10 db) on the mic pre when I first heard the clipping but it didn't make any difference at all. In radio I prefer the dynamics for the abuse, RE20, SM7B, M82, MD441, PR40. The low-end response is noteworthy in that there is very little murkiness/boominess, and the proximity effect is not super-exaggerated; plosives are not a problem. In that case the PR30 would probably work better. AND would a Presonus Eureka be able to push it properly? It has NO BASS and sounds like one is talking through a PVC pipe. PR40 is great for bass guitar, kick drum floor tom, some vocals. If Sibilance really bothers you it could be on the edge, depends on the voice really..how hard someone hits the Ss and Ts.. Nice aggressive sound but it was overly colored or hyped. It doesn’t require much EQ’ing, and putting it set to flat will do the trick in most instances. Another PR-30 lover here. For inexpensive condensers try a RODE NT-1 Black (flatter the Kansas) and an AT2035, inexpensive and great. I've not tried mine on Hip Hop but singing yes..kick drum and other things.. My fave is the PR30 though. The heil is one of my non traditional go to mics live. RE20, M88 or Beta 52. dude, it's way higher then either of those mics. The PR30 works better in this instance. That's definitely not the case with the SM7 or Sm57 IME - with those I need time to really dial in the position (certainly so with the SM7). Does not come with an XLR cable. I'm quite pleased. But I vouch almost all SHURE mics. Great entry level mic. The 421 has a more scooped sound than the 57 yes...but i've found if the sound coming from the 57 is harsh, its generally because the source needs work, or placement needs to be addressed...the 57 IS quite middy though, so i agree with you there. Dynamic mic. Review Summary For : Heil PR40 Dynamic Microphone; Reviews: 67 MSRP: 269.00; Description: There are currently four models in the PR series… the PR20, PR30, PR780 and the PR40. << If you enjoy this article, please consider sharing!! Sonically, they are both very similar; both have excellent, smooth high-end articulation — similar to that of a condenser — and extended low-end response. This is a downside for the HEIL PR40. I did a reamping session last we for a couple of bands. It is the other comments that are disturbing. I found these mics ideal not only for voiceovers, but also for loud rock vocals, kick drums, toms, guitar, and bass cabinets. It never becomes too thick or muddy. Remember that a good mic preamp is mandatory for this mic to truly shine! I like the 30 on everything. Well, I still love my RE20 and will continue to use it, but the Heil mics’ modest prices (at about half what an RE20 costs), high quality, and extended frequency response would make me hesitate to recommend the RE20 exclusively.