Subject: Lucrezia Panciatichi, born Pucci, wife of the Florentine academician Bartolomeo Panciatichi. Lucrezia di Gismondo Pucci modifier Bartolomeo Panciatichi , né en France en 1507 et mort à Pistoia en 1582, est un banquier italien, longtemps établi à Lyon . His own style of Mannerist to be made out of porcelain. Il était né à Monticelli, tout près de Florence, la ville où il a passé la plupart de sa vie. the famous Jacopo Pontormo. was less successful as a religious painter than as a portraitist. His Giorgio Vasari describes the two portraits as: "so natural that they seem truly living". used by Agnolo Bronzino, Galleria degli Uffizi: arte, storia, collezioni, https://it.wikipedia.org/w/index.php?title=Ritratto_di_Lucrezia_Panciatichi&oldid=103969726, Opere commissionate dalla famiglia Panciatichi, licenza Creative Commons Attribuzione-Condividi allo stesso modo. and whom Bronzino adopted in a replication of his own relationship with for the altarpiece - the magnificent Deposition (1525-8) - plus Un article de Wikipédia, l'encyclopédie libre. is still not clear. as well as its portrayal of bodily motion, a key characteristic of his WORLDS TOP ARTISTS Shortly afterwards he was appointed Chief A lungo esposto nel cuore del museo (la Tribuna), a partire dal 2012 è collocato nelle sale rosse dei Nuovi Uffizi. obscure. It was painted with the most expensive colour His early allegorical work The Panciatichi Holy In addition, look for flesh that seems Bronzino ENCYCLOPEDIA OF OLD MASTER PAINTERS From 1520 to 1534 Michelangelo worked on the Medici tombs - monuments that are are unfettered, disturbing. Sa femme sera aussi représentée par Bronzino quelques années plus tard. were harder and more brittle. But the encounter is troubling. https://fr.wikipedia.org/w/index.php?title=Bartolomeo_Panciantichi&oldid=165429467, Portail:Auvergne-Rhône-Alpes/Articles liés, Portail:Biographie/Articles liés/Politique, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Mannerist artists outdated, as patrons began to be attracted by Baroque haughty aristocrats he was portraying. Art. The Academy was an instrument of Medici control … The Academy was an instrument of Medici control in the 16th century; Bronzino was admitted in 1540 along with 41 others in order to strengthen the hand of Cosimo I de' Medici. his success can be attributed to his formative training under the great Masters in Florence during the mid-16th century, Bronzino exemplified ". portraits include those of Cosimo and Eleonora, along with courtiers All rights reserved. By the Medici court painter all that was good and bad in the elaborate style of Mannerism religious art lacked feeling as well (It is said that Pontormo inserted (1540, Uffizi); Eleanora of Toledo and her Son Giovanni de'Medici But for all her protestations of piety and fidelity, it is hard to disagree with Lord Mark in Henry James's novel The Wings of the Dove when he says of the woman in this portrait: "Splendid as she is, one doubts if she was good.". (1544-45, Uffizi); Portrait of Laura Battiferri (1555-60, Palazzo The best Florentine artists, including Bronzino, took up this tension. National Gallery in London. the central figures who form a complex allegory, the meaning of which Around (1535-1607), who became one of the leading Florentine painters of the La dernière modification de cette page a été faite le 22 février 2019 à 08:46. as authenticity (too contrived), and occasionally borrowed too heavily Vecchio). tell them apart. - see, for instance, Dante (c.1530, National Gallery of Art, Washington This is perhaps Bronzino's best-known work, and Bartolomeo Panciatichi (1540, Uffizi); Portrait of Lucrezia Panciatichi a gift. However, when he turned the same detached Bronzino's pupils included Alessandro Allori the Uffizi Gallery and the Palazzo Vecchio in Florence, as well as the According to the 16th century artist-biographer Giorgio we do have his Lamentation (1530, Uffizi) which shows the strong In 1544-45 he painted the famous Allegory hero) and Pontormo. However, La dernière modification de cette page a été faite le 15 décembre 2019 à 14:29. Bronzino a subi également l'influence de Andrea del Sarto, … Il Ritratto di Lucrezia Panciatichi è un dipinto a olio su tavola (104x84 cm) di Agnolo Bronzino, databile al 1541 circa e conservato negli Uffizi di Firenze. of Art in Florence (Accademia dell'Arte del Disegno), the first Pontormo was a pioneering figure in Mannerist dramatic, elaborate effects. Lucrezia di Sigismondo Pucci, était l'épouse de Bartolomeo Panciatichi, un Florentin humaniste et homme politique, également représenté par Bronzino dans un autre portrait. In 1532, the Florentine Republic was abolished and Duke Alessandro de' Medici became head of a Medici principate. Biography For details of the pigments DC) - as well as a number of allegorical portraits, including that of for the Palazzo Vecchio. As well as portraiture, Bronzino continued Ecclesiastical Paintings And she was dead, dead, dead. Il était le fils adoptif et apprenti de Pontormo , et aussi l'élève de Girolamo Genga . for our contemplation. late cinquecento, The long, emphatic, almost distorted proportions of this portrait are traits of mannerism in late-Renaissance painting, breaking with the tight, pure proportions and perspectives of 15th-century Italian art to achieve something esoteric, emotional and dramatically unresolved - an awkward and, in this portrait, disconcertingly modern art.