), song for voice & piano, G. x182, Why do you cry, fair beauty? (Zabudu l'ya), song for voice & piano, G. x94, Sing not, thou beauty, in my presence (Ne poy, krasavitsa), song for voice & piano, G. x92, Sonata for viola & piano in D minor, G. iv3, Sonata, for bassoon & piano (arranged from first movement of viola sonata by Ivan Kostlan), Soon you will forget me (Tï skoro menya pozabudesh'), song for voice & piano, G. x290, Souvenir d'amitié, for orchestra (after Hummel's Nocturne, Op. Read Full Biography. May 20), 1804 in the village of Novospasskoye in the province of Smolensk. Shebalin, V., Pavchinsky, S. editors, et al. 1), for orchestra, G. ii3, Cherubim's Song (Kheruvimskaya), for chorus in C major, The Conqueror (Pobeditel'), song for voice & piano, G. x112, Consolation (Utesheniye), song for voice & piano, G. x14, Conversation (Rozmowa), song for voice & piano, G. x309, Cotillon, for piano in B flat major, G. vi67, La couventine, contredanses for piano, G. vi188, Cradle Song (Kolïbel'naya pesnya), for voice & piano (A Farewell to St. Petersburg No. 11), G. x254, The toasting cup (Zazhdravnïy kubok), song for voice & piano, G. x296, Travelling Song (Poputnaya pesnya), song for voice & piano (A Farewell to St. Petersburg No. Mikhail Glinka was born on June 1 (o.s. He was the first to create romances, operas and other pieces to the Russian theme using Russian folk motives. The works are categorized by genre, date of composition and titles. 10), G. x250, A Life for the Tsar (Ivan Susanin; Zhizn' za tsarya), opera, G. xii, Mary (Meri), song for voice & piano, G. x322, Mazurka, for piano in A flat major, G. vi160, Mi sento il cor trafiggere, song for voice & piano, G. x42, Mio ben ricordati (Jesli vdrug sred' radostej)(i), duet for 2 voices & piano, G. ix43, Mio ben ricordati (Jesli vdrug sred' radostej)(ii), song for voice & piano, G. x63, Las Mollares, andalusian dance for piano in G major, G. vi264, My harp (Moya arfa), song for voice & piano, G. x1, The Night Review (Nochnoy smotr), song for voice & piano, G. x165, The Night Review (Nochnoy smotr), song for voice & orchestra (first version), G. viii93, The Night Review (Nochnoy smotr), song for voice & orchestra (second version), G. viii107, The Night Zephyr (Nochnoy zefir), song for voice & piano, G. x190, Nocturne, for harp (or piano) in E flat major, G. vi62, The North Star (Severnaya svezda; Wedding Song), song for voice & piano, G. x194, Nouvelles contredanses (4), for piano, G. vi71, Nouvelles quadrilles françaises (5), for piano, G. vi267, O Dafni che di quest' anima, song for voice & piano, G. x68, O gentle autumn night (Noch' osennyaya lyubeznaya), song for voice & piano, G. x96, O thou black night (Akh tï, noch' li nochenka), song for voice & piano, G. x97, Oh, If I Had Known This Before, gypsy folksong arranged for voice & piano, Overture, for orchestra in D major, G. i129, Overture, for orchestra in G minor, G. i85, Overture: A Life for the Tsar (Ivan Susanin; Zhizn' za tsarya), for orchestra, G. xiiov, Overture: A Life for the Tsar (Ivan Susanin; Zhizn' za tsarya), for piano, 4 hands, G. v106, Patriotiskaya Pesn' (National Anthem, Russian Federation 1991-2000, G. xvii227), Piangendo ancora rinascer suole, song for voice & piano, G. x61, Polka, for piano, 4 hands in B flat major, G. v47, Polonaise on a Spanish bolero theme, for orchestra in F major, G. ii185, Polonaise, for piano in E major, G. vi184, The Poor Singer (Bednïy pevets), song for voice & piano, G. x10, Prayer (Molitva), for voice, chorus & orchestra, G. viii65, Prière (Prayer), for piano in A major (A Greeting To My Native Land No. The works are categorized by … ], 1804, Novospasskoye, Russia – died February 15 [February 3, O.S. 8), G. x240, The bird-cherry tree is blossoming (Zatsvetyot cheremukha), song for voice & piano, G. x197, Bitter, bitter it is for me (Gor'kom gor'ko mne), song for voice & piano, G. x28, Bolero, song for voice & piano (A Farewell to St. Petersburg No. Glinka is considered the father of Russian music and exerted a significant influence on such great later composers as Tchaikovsky, Rimsky-Korsakov, and Stravinsky. https://en.wikipedia.org/w/index.php?title=List_of_compositions_by_Mikhail_Glinka&oldid=943776231, Short description is different from Wikidata, Articles with German-language sources (de), Creative Commons Attribution-ShareAlike License. He started to learn to play the piano and the violin at the age of 10, his teacher was Varvara Klammer, a governess invited from Saint Petersburg. Opera in 5 acts; new version (1837) in 4 acts and epilogue; original title: Ария с хором для дамы К. А. Бахтурина «Молдаванка и цыганка, или Золото и кинжал», Музыка к трагедии Н. В. Кукольника «Князь Холмский», unfinished; completed and orchestrated by, Испанская увертюра № 1 «Блестящее каприччио на тему Арагонской хоты», Испанская увертюра № 2 «Воспоминания о летней ночи в Мадриде», for oboe (or clarinet), horn, bassoon, two violins (or violin and viola), cello and double bass, unfinished (2 movements only); movement II completed by, Блестящий дивертисмент на мотивы из оперы «Сомнамбула» В. Беллини, for piano with 2 violins, cello and double bass, Серенада на некоторые мотивы из оперы «Анна Болейн» Г. Доницетти, for piano, harp, bassoon, horn, viola, cello and double bass, Вариации на русскую песню «Среди долины ровныя», Вариации на романс «Benedetta sia la madre», Вариации на тему из оперы «Фаниска» Л. Керубини, Блестящее рондо на темы из оперы «Монтекки и Капулетти» В. Беллини, Блестящие вариации на тему из оперы «Анна Болейн» Г. Доницетти, Вариации на две темы из балета «Киа-Кинг», original for piano with 2 violins, cello and double bass, Экспромт в форме галопа на тему из оперы «Любовный напиток» Г. Доницетти, Вариации на тему из оперы «Монтекки и Капулетти» В. Беллини, theme: «Во поле береза стояла» (In the Field There Stood a Birch Tree), Пролог на кончину императора Александра I и восшествие на престол Николая I, for tenor, mixed chorus, piano and double bass, for soprano, alto, tenor, bass, mixed chorus and string orchestra, Прощальная песня для воспитанниц общества благородних девиц, 2 versions: for voice and piano, and for 2 voices and piano; words by, Молитва «С небеси услыши» «На уснувший мир нисходит тишь ночная», Помни, что счастье на свете призрак мгновенный, for alto, 2 tenors, bass and string orchestra, for soprano, alto, tenor, bass and string orchestra, Fantasia; orchestrated c.1836–1840; reorchestrated 1855; words by, Прощальной песни воспитанниц Екатерининского института при их выпуске, Стой, мой верный, бурный конь... Фантазия.