Looking at the Triad chord table, the name of the triad chord quality having major(M3) and perfect(P5) note intervals is major. In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols VI: So in this key, VI6 refers to the C major chord in 1st inversion, and VI64 refers to the C major chord in 2nd inversion. The only difference between the two scales is that the E Dorian ♭2 has a C# while the E Phrygian has a C♮. Instead, III could be followed by the letter b to indicate that it is C major chord in 1st inversion - A phrygian mode chord IIIb. More details of this interval are at A-min-3rd. Repeating this for the 5th note / scale degree, the distance between G and D is 7 half-tones, and the note interval name is perfect (P5). The table below shows the phrygian mode, ordered to show the 4th note as the first column in the table. The phrygian chord II is the F major chord, and contains the notes F, A, and C. This supertonic chord's root / starting note is the 2nd note (or scale degree) of the phrygian mode. Finally, letter c could be used to indicate that it is E diminished chord in 2nd inversion - A phrygian mode chord voc. Repeating this for the 5th note / scale degree, the distance between F and C is 7 half-tones, and the note interval name is perfect (P5). This step shows the white and black note names on a piano keyboard so that the note names are familiar for later steps, and to show that the note names start repeating themselves after 12 notes. Finally, letter c could be used to indicate that it is A minor chord in 2nd inversion - phrygian mode chord ivc. Finally, letter c could be used to indicate that it is C major chord in 2nd inversion - A phrygian mode chord IIIc. Repeating this for the 5th note / scale degree, the distance between G and D is 7 half-tones, and the note interval name is perfect (P5). We will cover this topic in great detail in the next two modules. It is in lower case to denote that the chord is a minor chord. This step shows how to identify the notes and the name of a triad chord whose root note is the. The table below shows the phrygian mode, ordered to show the 5th note as the first column in the table. If we take E Phrygian mode and derive the tonic 7th chord and tonic 13th chord of that key we get: Notice that the extended 13th chord derived from the E Phrygian mode is Em7♭9♭13. Repeating this for the 5th note / scale degree, the distance between D and A is 7 half-tones, and the note interval name is perfect (P5). Instead, VI could be followed by the letter b to indicate that it is F major chord in 1st inversion - A phrygian mode chord VIb. More details of this interval are at Bb-perf-5th. Finally, letter c could be used to indicate that it is E minor chord in 2nd inversion - phrygian mode chord ic. To decide the name the chord quality, each step below will use note intervals to calculate how many half-tones / semitones / piano keys between the root and the 3rd (and 5th). The chord symbol III could be followed by the letter a to indicate that it is C major chord in root position (ie not inverted) - A phrygian mode chord IIIa. The note interval name for the 3rd note / scale degree is therefore minor, also called m3 for short. The phrygian chord i is the E minor chord, and contains the notes E, G, and B. The roman numeral for number 1 is 'i' and is used to indicate this is the 1st triad chord in the mode. G Phrygian is the third mode of the Eb major scale. It is in lower case to denote that the chord is a minor chord. By changing the ♭3rd into a 4th, we turn the Em7♭9♭13 into a E7sus♭9♭13. Every triad chord must have one of these quality names. Looking at the Triad chord table, the name of the triad chord quality having minor(m3) and perfect(P5) note intervals is minor. Notice also that the E Phrygian Chord is very similar to a Rootless G13 chord – only with an E in the bass. The chord symbol i could be followed by the letter a to indicate that it is A minor chord in root position (ie not inverted) - A phrygian mode chord ia. In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols II: So in this key, II6 refers to the F major chord in 1st inversion, and II64 refers to the F major chord in 2nd inversion.