Recorder Sonata in C major, HWV 365 8. 1, No. The sonata is considered, along with Telemann's Fantasias for Solo Flute and J. S. Bach's A minor partita, one of the most significant works for unaccompanied flute before the 20th century. Violin Sonata in A major, HWV 361 4. 379: E minor circa 1720 1879 Opus 1 No. Recorder Sonata in G minor, HWV 360 3. The Sonata in A minor, Op. The Sonata for Solo Flute in A minor, Wq.132, H 562, is a sonata for flauto traverso without basso continuo or accompanying instruments composed by Carl Philipp Emanuel Bach. [4], The biggest difference with his father's only work for unaccompanied flute, the Partita in A minor, BWV 1013, a suite of four dance movements (Allemande, Corrente, Sarabande, Bouree anglaise), are that in the sonata, there is nearly no indication of dance (except the second movement), and its three movements (Poco adagio, Allegro, Allegro) do not follow the standard format of fast–slow–fast, but slow–fast–fast, a format also shown in eleven more of his sonatas between 1735 and 1747. 1: Authorities WorldCat; Wikipedia; LCCN: n81114249: Composer Handel, George Frideric William Bennett (flute), Claude Monteux (flute), Patrick Gallois (flute), Pascal Rogé (piano), Georges Janzer (viola), Arthur Grumiaux (violin), Eva Czako (cello), Andrea Griminelli (flute), Annie Chalan (harp), Colette Lequien (viola), Roger Bourdin (flute), Irena Grafenauer (flute), Michael Grandt... Barthold Kuijken (transverse flute), Wieland Kuijken (viola da gamba), Robert Kohnen (harpsichord). [1] The sonata is considered, along with Telemann's Fantasias for Solo Flute and J. S. Bach's A minor partita, one of the most significant works for unaccompanied flute before the 20th century. [4], The sonata uses the slow–fast–fast movement format. This sonata is an early prototype of this change. Keith Jarrett • Michala Petri / Handel* Keith Jarrett • Michala Petri / Handel* - Handel Sonatas ‎ (CD, Album, Club) RCA Victor Red Seal, BMG Classics: 60441-2-RC, 09026-61274-2: US: 1991: Sell This Version All rights reserved. Violin Sonata in G minor, HWV 364a 7. Two more occasions that the music sounds like it is many voices, while it is only one, is at measures 57–61 and 104–108. [3], Bach wrote this sonata in Berlin around 1747,[1] when he was a chamber harpsichordist of Frederick the Great. About this sonata and its opening Larghetto, recorder player Pamela Thorby declared: “The A minor sonata is the most overtly dramatic of the six recorder sonatas. Nearly in the measure 40, the harmony moves to C major. The movement closes with a variation of the main theme. This format reflects the trends of this time in German culture. [2] It is the sole flute work by Bach that was printed and published during his lifetime. In measure 76, a cadence starts, but on the same measure and until measure 84, there is a part with notes under legatos, which seems identical to the style of the first movement, employing the same "half-step" motif. 4, HWV 362, is one of the relatively few Opus 1 pieces that exist in just one version: many of the other sonatas are known under a number of different forms, which often causes great confusion. But at the time, compositions written for the Prussian king were not permitted to be published and made public. 1, No. | [4][1], In the first measures, there is an eighth note, suggesting dancing, the reality is that the entering movement is in fact a dancing movement. [4], "Carl Philipp Emanuel Bach / Sonata for flute in A minor, H. 562, Wq. Free Download Membership. Flute Sonata in E minor, HWV 359b 2. With a seasoning of wide leaps and swift modulations, some think it is again closer to some of J.S.Bach's compositions. 2". In the measure 30, he added a cadence in a diminished F♯7 chord, followed in measure 37 by a cadence in C major, which ends with a diminished chord of c♯7. The original sonatas for recorder of G.F. Handel belong to the standard repertoire for each flute player. [1], The movement starts with a scalar theme, which itself expresses sadness. The performances in this attractive set are further distinguished by an interpretive sponaneity that invariably brings the music to life. No. Browse: Handel - Flute Sonata in A minor, HWV 374 This page lists all recordings of Flute Sonata in A minor, HWV 374 by George Frideric Handel (1685-1759). [4], The first movement, marked Poco adagio, has a similar style as J. S. Bach's similar works. Flute Sonata in G major, HWV 363b 6. HTML | Handel - Sonatas For Transverse Flute And Basso Continuo. Contact As so, having a dominant position, it delays the dissolution further. [3], Some scholars claim that this sonata was intended for the king. Free shipping for many products! 3". Copyright © 2002-20 Presto Classical Limited. 4; Halle Sonata No. Bach: a fresh look at an old masterpiece", Flute Sonata in A minor, H.562 (Bach, Carl Philipp Emanuel), International Music Score Library Project, List of compositions by Carl Philipp Emanuel Bach, Category:Compositions by Carl Philipp Emanuel Bach, https://en.wikipedia.org/w/index.php?title=Sonata_in_A_minor_for_Solo_Flute,_Wq._132&oldid=915158502, Compositions by Carl Philipp Emanuel Bach, Articles with International Music Score Library Project links, Articles containing Italian-language text, Creative Commons Attribution-ShareAlike License, This page was last edited on 11 September 2019, at 15:27. In 1747, he composed a series of works for the instrument, including this sonata. No. The movement ends with a bold passage. Oboe Sonata in C minor, HWV 366 9. [4], The movement has the slowest harmonic line and the fewest chromanticism of the entire work, however, it also deploys the most technical features of the entire work. Flute Sonata in E minor, HWV 379 1b. The Recorder Sonata in A minor, Op. Recorder Sonata in A minor, HWV 362 5. Here, note the repeated duplet figures, a device Handel was particularly keen about and which figures into the violin sonatas on many occasions. No manuscript of it has been discovered. In measure 41, a cadence in D minor develops, while in the next measure, the harmony modulates to E minor. 1, No. [4], The second movement is seen by some as developing several mid-century elements about Allegro movements. Again, Handel uses a four-movement blueprint. HWV 367b ; Op.1 No.9 I-Catalogue Number I-Cat. 4 (HWV 362), is one of the relatively few Opus 1 pieces that exists in just one version. The work is headed "Sonata 2", and follows the G minor sonata in the Fitzwilliam Museum autograph. Imagine if you will the first movement as the tortured agonies of a would-be heroine as she laments upon the deceit of her lover. Inside it, there are some "half-step" motifs, which represent tear, and it begins with some slurs, adding in the momentum of the work. Examples are the "scalar arch" motif in the first measures, repeated in fragments in the whole sonata, and the descending half-step motif, which appears at the beginning of every movement. The first movement is slow (Poco adagio), and the second is faster (Allegro), the third (Allegro) is slightly more faster than the second, so the result, when played, is unified acoustically. The harmony moves to E minor in the measure 52. 165 – Sonata in D-moll, Aria, K.32-L.423 (D.Scarlatti) 166 – Elegia (А.Ivanov-Kramskoi) 167 – Gavotte (G.B.Lully) 168 – Suite No.11 in D Minor, Allemande (G.Handel) 169 – Suite No.11 in D Minor, Courante (G.Handel) 170 – Suite No.11 in D Minor, Sarabande (G.Handel) This leads, in measures 85–93, to a half-cadence filled with sixteenth-notes. [4], Bach also used motivic development to unify his work, as his father did. The original sonatas for recorder of G.F. Handel belong to the standard repertoire for each flute player. Corelli was an … Showing 1 - 10 of 13 results [4], The melodic line seems more angular than soft, as it is clear from the use of sixteenth notes in the Allegro movements, broken chords, thirds and frequent rests, all of them a mix of Baroque and Galant style. After that, the theme suddenly seems like a Baroque-era corrente movement. This may explain the publication date of 1763,[1] nearly two decades after the sonata was written. 1a The only sonata that survives as a flute sonata in Handel's own manuscript. [4], All movements are written in rounded-binary form. He continued to use ornaments, which plenty of them exist in his work, in a combination of all the styles of this period (French, German and Italian). Influenced by them, Bach's style changed: besides signs of his father's Baroque style, he included features of the new galant style, such as slow harmonic motion. 378: D major ?circa 1707 1979 No autograph version by Handel is known to exist. Privacy | After the final section of the work starts in measure 102, a cadence appears at measures 136–137, bringing back the original tempo.